For, in poetry, according to Sri Aurobindo, there is an upward evolution of its powers and at its summit the highest function of sound is to instill in the listener the poet’s experience of a Truth that is behind all things, its significances in themselves beyond word and thought finding expression through an inner silence, and to lift him rapt, spellbound, dazzled into sudden awareness of that wondrous supreme Beauty and Delight which elude normal perception, a high-uplifted Beauty and Delight sustaining magically the cosmic process…If, therefore, the possibilities of the poet of the future are to come to their utmost fruition, his art, whether it flowers forth in the lyric cry or the narrative, in the drama or the epic, should not merely be an instrument of forces which work through him by passing inspirations. It must represent the continuous rhythm of an inner life in which the meaning of the universe shall be unfolded in the individual and the Spirit manifested, with constant integrality, even through the prose of daily intercourse with the world.
– Sri Aurobindo – the Poet, K. D. Sethna; pp. 39 0–40
Art can never really find what it seeks or succeed in liberating its soul in the highest perfection of speech unless it transfuses the rhythms of its exquisite moods into a sustained spiritual experience.
– Sri Aurobindo – the Poet, K. D. Sethna; p. 28